Synopsis
"Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.
Notes
"A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)
A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.
Afterword:
- Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.
看到中间真以为你们要共同进步奋斗双双得奖顺便谈个恋爱😭凯特你为什么不相信她😭
国内的导演内卷的是不是太严重了点儿 拍都拍了 能不能用点心 2星给这个本来可以拍的很丰富的故事
看恐怖片看哭了，虽然有点神剧的意思吧，有些低方还逻辑不通，但是赚足了我的眼泪，清河好可怜。丫的那个镇长和九叔公真不是东西
法国白人想把小黑们赶出去，想搞个大事件。然后机智的小黑拍个电影迎头痛击，让法国白人身首异处，这个电影算是个警告吧。毕竟当年法国答应要给予小黑们公民身份，不能出尔反尔吧，要不然当年人家也不会玩命儿给法国政府卖命了，这就叫天道好轮回。
真的很烦看电影找bug的人，这部电影在国产惊悚电影里算优质的了。
能看⋯開場 就啪啪⋯法式浪漫不懂⋯二小時看過熱鬧⋯
为了“游乐场”那一part看得全片
剧情很老套，主要亮点在于卖腐+影射极右政客，Laurent Laffite这个角色真的太好笑了
没有人能讲完一个故事而不暴露自己的内心，好故事永远是包含了真实的故事。剧情完成度极高，高潮反转收尾气息全部给得足足的。小孩子演友谊桥段简直真诚得逼人，未经雕琢的泪水和同情能让人瞬间破防。丽特的反派可爱又无比邪恶，黑妹小小年纪已经起范，细节里笑点相当可观。以及“魔法图书馆、同伴大冒险、勇敢做自己”，just sign me up FOREVER!
我为什么要耗费宝贵的两个小时看垃圾……看之前的期待是Billy Elliot 2，结果这是披着芭蕾皮的gossip girl。虽然请了Camargo和Osiel Gouneo客串，但是呈现出的专业性甚至还不如黑天鹅，既不尊重芭蕾本身也不尊重真正舞者的付出。用强劲对手在最后一刻选择放弃来解决主角的困境这个设置真是太烂俗了，明明POB现役的两位首席Louvet和Marchand互相竞争一起进步最后双双获得成功的经历要真实感人的多。女主角演技和舞姿一样僵硬，哥哥自杀的女主角叫Marine这个设定真是恶意满满。
整部剧下来看得我莫名其妙，整个故事线就是找弟弟，结果三个弟弟来回找，找到了亲弟弟，杜佳豪那边也没个交代，虽然大家都明白了是镇长和九叔公，但是没个交代还以为姐姐把杜家豪都忘记了
能看⋯開場 就啪啪⋯法式浪漫不懂⋯二小時看過熱鬧⋯
之前被评分忽悠了，其实影片不错，剧情流畅没有尿点。在奇幻片里还能做到逻辑自洽就是好故事。小男孩演得超赞！书呆子气息不好把控，过了少了都尴尬，但是温斯洛棒棒哒。小女孩的角色略多余。当然果然我还是冲着美美哒丽特来的！
整部剧下来看得我莫名其妙，整个故事线就是找弟弟，结果三个弟弟来回找，找到了亲弟弟，杜佳豪那边也没个交代，虽然大家都明白了是镇长和九叔公，但是没个交代还以为姐姐把杜家豪都忘记了
聚焦种族矛盾、左右政治割裂（历史正确和政治正确）主题，讽刺和搞笑混为一体，净睁着眼说些大实话。几段车战拍得挺惊心动魄，真实感很强，尤其是身体分离的片段，又恶心又恐怖又能把喜剧氛围拉满。
类似鸡皮疙瘩系列故事，角色都很天真，作为儿童片算是合格啦。
越来越get不到那种琐碎+漫长的嘴炮式幽默
女巫是假的，曾经也是被抓起来的小孩，利用沉睡的女巫制造药物获得魔力，最后因完美结局，女巫苏醒，两下打败假女巫，男主利用讲故事引真女巫进火坑盖起盖烧掉
PS 中文片名的翻译真是太拉垮啊！这个续集字面意义是远离巴黎环路，呼应10年前的第一集的环路另一侧（也是意指两主演第一次搭档时两个世界观的相撞）。这一集主题也是与时俱进，远离环路来到了一个虚构的山村乡下城市，反应了当代极右的崛起。
真的没想到比水怪1好看太多了，后面我真心有被感动到，好看，继续加油！
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