The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
建议看网上的剪辑好的,毕竟高潮部分就一点点,而且还挺后面的
这片的成色其实还可以,前半段的氛围营造得不错,最后出现的怪物颇得吉尔莫•得尔•托罗的真谛。
现实中悬疑,悬疑见人性,人性终现实,现实是残酷!
My eyes and ears are bleeding... #TIFF 2021
节奏真的好慢好慢,一点都不恐怖,就是最后怪物的造型稍微有点看点,还不错。
如果能忍受晃动镜头、嘈杂的声效以及脑残女主人设的情况下,这会是一部精彩的SB屌片。可惜比起导演前作逊色很多。
邪教献祭反杀流,有一些社会和人性亲情关系的隐喻,还不错
Holy Crap,应该是新冠主题最政治不正确的邪典片了吧!
不得不说,女主太烦人了,我都想薅住她头发在方向盘猛砸五百次,纯粹为了恶而恶的胡诌片,低级趣味,下三滥粗口,屎尿屁里开心的打滚,恶臭至极。
血浆都不会撒,看得出在jump scare这块儿是有想法的,但是成品真的很烂。吓人没觉得,倒是被气笑了😅有几个镜头还不错,但也就是“还不错”了。可能是我太低级欣赏不来这种“先锋”、“实验”作品吧。
影片前半部分比较emmm…主播老姐确实是很放的开,很完美的演出了一个耿(sha)直(bi)形象,而随着剧情的推进,开始变得“卧槽不断”,整个后半部分简直wtf停不下来……总的来说挺有意思的,不过少儿不宜,嗯,这是最主要的。
也许是我没看懂吧,但是电影给人感觉非常糟糕
除了怪物造型还行,其他乏善可陈,而且是dark end
剧情老套又节奏缓慢,结尾的怪物造型挺印象深刻的,是为数不多的亮点。
holy shit!好久没有在看电影的时候打咩这么多次了!
执行上可以给5星,相当respect。但这个剧情和整体的观影感受....可能过于edgy了吧,不喜欢。
会给6.8/10
气氛塑造不错,怪物造型不错,结尾小揭秘小反转也不错,总之,中规中矩的恐怖片。
魔鬼只能对善良的人下手而已,特别针对信任的人进行剥削,黑人女&厂老板本质都跟魔鬼立场是一致的。
比起大多数百分之八十的时长都在神神叨叨的伪纪录片,这部算不错了,情节够丰富,缺点是晃起来实在太晃有一整段我都没看清,女主真的很烦,“女主怎么还没被打死”和“摄像机怎么还没摔坏”堪称两大bug。不过总体来说比我想象的好
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