"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
论一部剧情简单的西部剧为何拍的这么有嚼劲，归根结底角色人物塑造成功对于一部电影是多么重要！国内就是差这个
儿子很有天赋，只不过传奇老爹不想让他走自己的老路。
不是复仇爽片~对西部片没啥情怀的，就算了，很拖沓~
传说中的比利小子变成了老比利，见识过大风大浪的人处变不惊，大杀四方，却终究暗箭难防
西部片还是很耐看的，在隐忍中爆发，电光火石之间局势逆转
The destiny are those what Desgniated to happen
纯正西部片，剧情虽老套，配乐拍摄给小星星。
西部牛仔版农夫与蛇的故事，让人伤心，更何况这个传奇农夫还帅了一整场
西部，不同故事的主角，各个是传奇。风光无限好，故事很简单。当一个来路不明，带了一兜子钱，受伤的家伙出现在你家附近时，厄运离你不远了，更何况你还救了他，这就是西部。我觉得还挺好看的，喜欢西部面对面开枪对决，比的就是手法和速度！
喜欢西部片这个类型。同样，也喜欢武侠片这个类型。《老亨利》是正宗的西部片味道，但又不让人觉得老套、陈旧，视觉语言上是有新的表现的。那么，武侠片还能拍出新意吗？我觉得是可以的，但必须脱离金庸、古龙的故事模式，毕竟，古代中国的想象空间还是很大的。
场景还可以。没什么情节起伏，就两场枪战。儿子的叛逆成长。跳着看了看。
节奏慢得惊人。为毛要先安排一场拿长枪与匪徒对峙的戏？
不废话，不矫情，不拖泥带水，就是干，太爽了
剧情中规中矩，老亨利处事果断，枪法稳准，疾恶如仇。动作快，姿势帅。
戏说传奇人物，但没有拍出特别的传奇味来，差了那么点意思。
我的特工父亲他那是被洗脑了
好久没有。
老亨利，邦尼，比利，活到现在不容易，年轻时大杀四方，脱身后想着隐居下来，安分守己种地当农民，把儿子抚养大。偏偏事情找上门，重现当年勇，杀了一大片，可惜农夫与蛇。景色美丽，节奏好。
沾了比利小子的传奇光芒，但影片的观赏性并不强，尚且不如《大地惊雷》
当我们看腻了西装暴徒格洛克，似乎西服三件套配CQB已经无法再刺激分泌肾上腺素
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